Tag Archives: Michael Rogers

Highland Inspiration

We were delighted to recently host two nine-day international symposia at North Lands Creative Glass. For North Lands it is wonderful to have the chance to host and work with instructors, artists and students with such great enthusiasm, motivation and dedication and we hope to see you all again very soon.

The first was a Student Symposium; ‘Highland Inspiration – Location and Self’ with students and instructors from three schools: The Alberta College of Art + Design, Calgary; the Rochester Institute of Technology, Rochester, NY and the Montana State University School of Architecture, Bozeman. The students valued the input of the instructors enormously; Natali Rodrigues, Michael Rogers and Tad Bradley, along with Jane Bruce were kept extremely busy and everyone seemed to enjoy and gain a lot from their experiences.

The second was a Symposium for artists exploring ‘Highland Inspiration – Location & Perception’, led by Jane Bruce assisted by Lee Mathers. The artists were invited to focus on an experimental and open-minded approach to working and utilise drawing, model making, and the prototyping of forms, to test and question their ideas against the Caithness environment, the goal being to deepen and intensify current work or push it forward into new directions.

Both Symposia benefitted from local co-ordination for facilities and outings by our very own Joanna Garrett, better known as North Lands’ Master Class and Conference Co-ordinator.

Photographs by kind permission of Symposium participants Linda Norris and Rachel Elliott.

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A little catch up post

Time seems to have escaped us and it’s been a while since the last blog post, so a little catch up is needed.

Since May we have seen our Artists in Residence depart to their distant homes, Michael Bullen, our Studio Technical Manager and talented artist has delivered a very successful Skills Class: Glass Painting Techniques and we are currently coming to the end of a nine-day International Student Symposium; ‘Highland Inspiration – Location and Self’ with Michael Rogers and Jane Bruce.  Students have come from The Alberta College of Art + Design, Calgary, the Rochester Institute of Technology, Rochester, NY, and the Montana State University School of Architecture, Bozeman.

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More Master Classes….

We have just started our 3rd and 4th master classes of this year’s programme: ‘Out of Thin Air’ with Michael Rogers, and ‘Painting on Glass: Developing a Personal Iconography’ with Cappy Thompson. The participants are all very busy and hard at work.

We’ve been adding photos from the previous classes to our Flickr stream and will be adding pics from the conference soon.

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Touching the Past

Not to be missed this year is North Lands Creative Glass annual international conference, bringing together the best of glass, art and craft to explore expansive themes in an inspirational environment .

This year’s conference takes place on 3rd and 4th September. The theme is ‘Touching the Past’ and includes speakers covering a broad range of topics exploring art, craft and curatorship. Artists present personal journeys and engage in contemporary creative discourse and discussion. You will also see demonstrations in the Studio by artists including conference speaker Cappy Thompson.

There is a packed programme with networking opportunities and social events including a conference party and castle visit.

Here is a breakdown of the 2 days.

…SATURDAY

9.30 Welcome. Opening Remarks

9.45 ‘Diaghilev in the Museum’ Keynote Presentation
Jane Pritchard, co-curator of the exhibiton ‘Diagilev and the Golden Age of the Ballets Russes 1909-1929’, is Curator of Dance at the V&A. She has had a distinguished career recording and promoting many aspects of contemporary and historic dance.

10.45 Morning Coffee

11.15 ‘Following a Pattern – in Life and Death’
Award winning journalist Louise Tait will show how her fascination with the stories of the Ganseys of North East Scotland informs her new work.

11.45 ‘Out of Thin Air’
Michael Rogers title for his lecture, ‘Out of Thin Air’, refers to the impetus for his work and where it comes from. These are all the passing moments of life, which he seeks to capture and preserve in his work.

12.45 Lunch

14.00 ‘You can’t lay down your memories’
A new approach to how jewellery is considered by art historians and almost everybody else. Marjan Unger is an art historian and a publicist. She was head of ‘Free Design’ at the Sandburg Institute, the post-graduate course at the Gerrit Rietveld Academie in Amsterdam and in 2010 she received her doctorate in art history on the subject of jewellery.

15.00 ‘My mytho-poetic impulse’
Cappy Thompson says: ‘As a glass painter, I combine two ancient lineages in my work – that of the medieval artists who painted on stained glass and that of the Greek artisans who painted on clay pots. The panel and vessel forms I paint on pull my work in opposite directions.’

16.00 Tea and a guided tour of Sinclair Girnigoe Castle former seat of the Earls of Caithness.

19.30 Conference Party

…SUNDAY

9.30 ‘Long live the President’
Design, memory and propaganda. Paul Faber is an art historian, writer and senior curator of Africa at The Museum of the Tropics in Amsterdam. Paul will speak about prints, created after independence in Africa, that are fascinating examples of contemporary design, social communication and historical documents in one.

10.30 ‘Creatures born of the Bohemian Forest’
Ivana Šrámková’s colourful cast glass sculptures often depict fantasy animals. Ivana will offer us insights into her work, her motivations for making art, her thoughts about glass as a material and her lifelong joy in making.

11.30 Morning Coffee
Demonstrations in the Alastair Pilkington Studio including enamel painting by Cappy Thompson.

13.00 Lunch

14.15 ‘Borrowings’
Philip Eglin habitually references an eclectic array of historical and contemporary sources in a variety of media. His talk will focus on how through these ‘borrowings’ he endeavours to reinterpret and reinvigorate a broad range of art historical subjects, giving them a contemporary twist and thereby new meanings.

15.15 ‘A Time for Reflection’
Tessa Clegg is an applied artist firmly rooted in Modernist thinking. Over the years the attitude and approach to applied art have undergone significant and important changes. Tessa will discuss some of these changes, which in her opinion are both many and ominous.

15.45 Question Time
Panel discussion, led by Tina Oldknow Curator of Modern Glass at the Corning Museum of Glass.

16.30 Concluding remarks and drinks.

The Conference is sponsored in part by the Corning Museum of Glass, Corning USA.

Accommodation, bookings and general information:
Lorna MacMillan: Telephone: +44 (0)1593 721 229 Fax: +44 (0)1593 721 850
e-mail: info@northlandsglass.com

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August/September Master Classes

Our programme of Master Classes is filling up fast, but there’s still time to get a place.

This year we have a great variety of courses led by internationally renowned artists:

‘The Drive to Improvise’ with Tessa Clegg and Philip Eglin, 24 August – 1 September

‘The Pleasures and Difficulties of Choice’ with Ivana Sramkova, 24 August – 1 September

‘Painting on Glass: developing a personal iconography’ with Cappy Thompson, 6-14 September

‘Out of Thin Air’ with Michael Rogers, 6-14 September

Some funding is available for Scottish-based professional artists. Students and emerging artists may also be eligible for financial assistance.

Get in touch with grace.macbeath@northlandsglass.com for more information

Other artists may be able to get funding from local arts organisations.

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